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By the end of January, 1999, Bart had risen to the top ranks of male performers. I watched him 1/24/99 pour on an hour-long nasty scene filled with yelps, instructions, spitting and dirty talk while pounding the Hungarian blonde Caroline in seven different positions, including three anals. "Take it in the ass," yells Pat. "Take it all the way... Oh yeah..." Blonde Hungarian Caroline does ass to mouth several times (taking Pat's dick out of her ass and sucking on it) on the instruction of director Chuck Martino. She objects to Pat coming in her mouth because it'd make her gag. Instead he pops on her mouth and lower face. After cleaning up, Pat munches on a chicken breast. "Some days you know you're going to have a good scene," says the short sturdy tattood husband of Shelby Myne. "You get in a zone...I was on my back much of the time today, and sometimes I get soft... Not today. "I wish I could've talked with her [Caroline, the Hungarian]. I had to be more physical than normal. I had to physically put her where I wanted. I've never even seen this girl before. "I like working with European girls. Most of the ones that come over here are beautiful, so you know you're going to work with a hottie. Caroline was definitely a hottie. She was toned and thick. I don't like those little skinny girls. I want to know that they're f---ing me back. You could feel her when she started pushing and moving and grinding. I buried my dick in her ass no problem. All the way. When I was on my back and she was on top, she made it [Pat's cock] disappear. I was literally balls deep in her ass. She took it like a f---ing hero. I like girls like that. Some girls squirm, 'oh, don't move, don't move... Stop.' Thirty seconds later, 'that's enough.' That's no fun for the guy either. When you get a girl like that, it's literally a pain in the ass. But when you get a girl who likes it in her ass, that's so much easier." Pat and Shelby Myne have each appeared in about 100 videos. While Shelby's been pumping since the summer of 1997, Pat only began in the Spring of 1998. "I started doing a few scenes with Shelby. I was too afraid to work with anyone else. I had trouble my first couple of scenes. But it was good that I started with her [wife Shelby] because it allowed me to get comfortable working on a set with ten people around. It's almost impossible for a guy to get started unless he has a girl who'll work with him. My phone started ringing and I've been doing 15-20 scenes a month. This is my tenth scene in eight days. I have two scenes booked for tomorrow [1/25/99]. I don't get a day off until Thursday [1/28]. "Shelby and I each work with other people. We've been together five years and we're secure with ourselves. Sometimes your mind plays games with you, but we've been doing this for a long time and it's never been a problem. This is just a job. We don't live in the Valley. We live in Orange County. We're away from the [porn] scene. We have our separate life. We do our job here and then go home and take care of our dogs. I think it is important to separate the career from the porno lifestyle. That's cool but it's [porno life] is not for us. "A girl I grew up with introduced us to the adult business. I've known her since I was ten years old... She (Krysta Maze) married my best friend in high school. She was so conservative growing up, then she told us she was doing movies. We were each working fulltime jobs... Krysta too Shelby on a shoot. We talked about it for six months and decided to give it a try. Krysta had retired by the time we started. We met some nice people [in porno]... We found out that it [porno] isn't like you think. I think the general public has a misconception about the adult industry. We were surprised. We've made lots of friends in this business and we'll be doing it for a while. "I work several days a month for All Good Video, Metro and Sin City. Shelby is under a non-exclusive contract with All Good Video. She has to work a certain number of days a month for All Good, then she's allowed to work for other companies. But she's only allowed to promote All Good Video. She signed for AGV at the East Coast Video Show in Atlantic City and at the CES in Las Vegas." Evan Wright writes for the 3/31/00 LA Weekly: Shelbee, in her early 20s, was a dirty-blond and pretty, but with an overly tanned face that made her mouth look hard. In a tube top and shorts, she looked like a girl at the beach. She stood on the veranda, dabbing suntan lotion on her husband’s nose. “You’ve got to be careful about getting a burn,” Shelbee said. Pat drooped his head like an obedient mutt. His hair was close-cropped and bleached white-blond. He wore shorts and boots like the guys on the film crew. Though he was just two years older than his wife, his nose already had gin blossoms, accentuated by a sunburn. Shelbee and Pat had met when she worked at a paging company and he worked as a shipping clerk in a warehouse. She entered porn first. Her husband followed when he discovered that he had a talent for maintaining an erection. Of the couple, Shelbee was the star. Women were more in demand than men. Her pay for her anal scene in Psycho Sexuals II would be $1,500. His pay would be $100.
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